Word Painting

April is National Poetry Month. Celebrate by reading a few lines, or whole works. Cheers.

Luck by Charles Bukowski

once
we were young
at this
machine …
smoking
typing

it was a most
splendid
miraculous
time

still
is

only now
instead of
moving toward
time
it
moves toward
us

makes each word
drill
into the
paper

clear

fast

hard

feeding a
closing
space.

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22

The Tempter by Robert E. Howard

Something tapped me on the shoulder
Something whispered, “Come with me,”
“Leave the world of men behind you,
“Come where care may never find you
“Come and follow, let me bind you
“Where, in that dark, silent sea,
“Tempest of the world n’er rages;
“There to dream away the ages,
“Heedless of Time’s turning pages,
“Only, come with me.”

“Who are you?” I asked the phantom,
“I am rest from Hate and Pride.
“I am friend to king and beggar.
“I am Alpha and Omega,
“I was councilor to Hagar
“But men call me suicide.
“I was weary of tide breasting,
Weary of the world’s behesting,
And I lusted for the resting
As a lover for his bride.

And my soul tugged at its moorings
And it whispered, “Set me free.
“I am weary of this battle,
“Of this world of human cattle,
“All this dreary noise and prattle.
“This you owe to me.”
Long I sat and long I pondered,
On the life that I had squandered,
O’er the paths that I had wandered
Never Free.

In the shadow panorama
Passed life’s struggles and its fray.
And my soul tugged with new vigor,
Huger grew the phantom’s figure,
As I slowly tugged the trigger,
Saw the world fade swift away.
Through the fogs old Time came striding,
Radiant clouds were ‘bout me riding,
As my soul when gliding, gliding,
From the shadow into day.

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21

The poetry of Charles Bukowski set to Explosions in the Sky.

SoundCloud / TheSummerEnds

Poetry reveals to us the loveliness of nature, brings back the freshness of youthful feelings, reviews the relish of simple pleasures, keeps unquenched the enthusiasm which warmed the springtime of our being, refines youthful love, strengthens our interest in human nature, by vivid delineations of its tenderest and softest feelings, and through the brightness of its prophetic visions, helps faith to lay hold on the future life.

William Ellery Channing (via bluesandbarebones)

grayskymorning:

Shakespeare and Company | Daniel Lurie

Flickr / other-duke

apoetreflects:

“In each line, in each phrase the possibility of failure is concealed. The possibility that the whole poem, not just that isolated verse, will fail. That’s how life is: at every moment, we can lose it. Every moment there is mortal risk.”

—Robert Frost

poetrysociety:

Poetry Society of America Chapbook Contest

Judged by:
Thomas Sayers Ellis, Nick Flynn, John Yau, and Mary Ruefle.

$1,000 prize and publication.

Accepting submissions from now until December 22, 2012.

More information here.

Here’s an opportunity for you to go grab that dream.

I like what I do. Some writers have said in print that they hated writing and it was just a chore and a burden. I certainly don’t feel that way about it. Sometimes it’s difficult. You know, you always have this image of the perfect thing which you can never achieve, but which you never stop trying to achieve. But I think … that’s your signpost and your guide. You’ll never get there, but without it you won’t get anywhere.

Cormac McCarthy

Time will say nothing but I told you so,
Time only knows the price we have to pay;
If I could tell you I would let you know.

If we should weep when clowns put on their show,
If we should stumble when musicians play,
Time will say nothing but I told you so.

There are no fortunes to be told, although,
Because I love you more than I can say,
If I could tell you I would let you know.

The winds must come from somewhere when they blow,
There must be reasons why the leaves decay;
Time will say nothing but I told you so.

Perhaps the roses really want to grow,
The vision seriously intends to stay;
If I could tell you I would let you know.

Suppose the lions all get up and go,
And all the brooks and soldiers run away;
Will Time say nothing but I told you so?
If I could tell you I would let you know.

“If I could tell you” by W. H. Auden (via growing-orbits)

A Peaceful, but Very Interesting Pursuit

Even after he published, Prufrock and Wasteland, T.S. Eliot continued to work his day job at a bank. The New volume of his letters reveals his financial anxieties and his unexpected attitude towards working and writing.

From 1917 until 1925, T.S. Eliot worked in a bank. A simple, declarative sentence, a biographical fact. Not the subject of dissertations or the reason two hefty volumes of The Letters of T.S. Eliot (Volume 1: 1898-1922; Volume 2: 1923-5) have just been published, but along with his disastrous and draining marriage to Vivien Haigh-Wood, Eliot’s employment at Lloyd’s Bank of London was the driving force of his life in the years of these letters, until he left Lloyd’s in October 1925 for a position as an editor at the publishing house Faber & Gwyer (later to be Faber & Faber).

There is a general antipathy about hearing too much about a writer’s day job once he has become successful, and Eliot’s successes piled up as he rose at Lloyd’s: Prufrock and Other Observations was published in 1915; his essays collected in The Sacred Wood in 1921; The Waste Land stormed both sides of the Atlantic in 1922, etc. Like Eliot at the bank, we know Wallace Stevens sold insurance, but nobody wants to think about the poet at the water cooler, or, even worse, pouring over actuarial tables. Same goes for William Carlos Williams being a doctor: Do we want a man so skilled with words to perform our annual physicals? It’s fine for a writer to have a quirky or strange day job, like nude model, “oyster pirate,” even garbage man. Yet the point of the writer’s life must remain to end up at the writer’s desk somewhere, with all that nonsense left behind.

[Click on the link to read more …]

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4

There is a place where the sidewalk ends
And before the street begins,
And there the grass grows soft and white,
And there the sun burns crimson bright,
And there the moon-bird rests from his flight
To cool in the peppermint wind.

Let us leave this place where the smoke blows black
And the dark street winds and bends.
Past the pits where the asphalt flowers grow
We shall walk with a walk that is measured and slow,
And watch where the chalk-white arrows go
To the place where the sidewalk ends.

Yes we’ll walk with a walk that is measured and slow,
And we’ll go where the chalk-white arrows go,
For the children, they mark, and the children, they know
The place where the sidewalk ends.